During a radio interview withīob Crane, Serling stated that the episode received 1,300 letters and cards Viewer response was immediate and enthusiastic. Of the show’s best reviewed segments at the time of its initial broadcast and Serling's "The Monsters Are Due on Maple Street" has been a staple of American textbooks since the late 1960s. Rights for the one-act play were quickly bought by Charles Scribner’s Sons for inclusion in a contemporary textbook. Zone: Unlocking the Door to a Television Classic (OTR, 2008), notes that reprint “The Shelter” is noĮxception, and the episode has achieved a reputation for quality drama independent of Without presenting a new way of looking at the subject matter.
#The shelter twilight zone series
Serling often revisited previous material on the series but rarely did so Inner prejudices each of us secretly harbors and keeps hidden from our Middle century America head-on in an unblinking manner, most especially the Both episodes tackle the ugly problems of Violence which must have been shocking to see on early 1960's American television (until the arrival of footage from the Vietnam war, that is). Both feature similar American archetypes designed to represent the American “everyman” or “everywoman” (though, with one exception, noticeably lacking minority representation). One a series of tricks (and the instigation of an imaginative child), the other a false alarm. Middle-American neighborhood sent into hysteria over a perceived threat, Street.” There is no denying the many similarities. It seems unavoidable but to view Rod Serling’s “The Shelter” in theĬontext of his enduring first season episode, “The Monsters are Due on Maple "The Shelter" by Rod Serling, New Stories from the Twilight Zone (1962) "So each stood there with a secret thought, while the voice of the radio announcer, quivering with a barely perceptible tension, kept on repeating the announcement over and over again in the same studiedly dispassionate voice - the well-rehearsed ritual of a modern Paul Revere on a twentieth-century night-ride." The shelter wasĭesigned for the survival of three people: Bill, his wife, and their son. Their shelter and tells all who come begging at the door that there is notĮnough space, oxygen, or supplies to let anyone else in. None of the neighbors have followed Bill’s lead and constructedĪ fallout shelter of their own. Shelter, they now begin to arrive with their families in tow to seek his aid in The neighbors have previously teased Bill about the construction of his fallout The water and the power shut off in the home, heightening the alarm. The previous summer, by gathering food, water, and various other supplies. The party goers quickly disperse andīill’s family prepares to enter their fallout shelter, which had been installed War, this means a probable nuclear attack. Have been detected heading toward the United States. The United States has issued a yellow alert after unidentified flying objects Paul, informs the party goers of an emergency radio broadcast.
Suburban home, surrounded by his family, friends, and neighbors, Bill’s son, Permission to copy for single classroom use only.Įlectronic distribution limited to single classroom use only.A birthday party is taking place for Dr.
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